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Twenty-First Century Marianne Moore

The quality is not new, but the freedom is new, the unbridled leap. Despite the acclaim, Moore remained unsatisfied with her own work. She did not produce another volume of new poetry for nearly two decades. The Moore of this book is a radical modernist—not a peripheral member of the coterie but an architect of the movement, and one whose influence, despite her uneven publishing history, is increasingly visible in American poetry. She is a magpie, plucking language from myriad arenas: bestiaries, business documents, tourist pamphlets.

Some quoted material in the poems goes uncited, while some is documented excessively. The index, too, is idiosyncratic.

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Not dominated by male voice. Victoria Bazin is a senior lecturer at the Northumbria University, UK Table of Contents Contents: Introduction; Modernity, poetry and pragmatism; Critical constructions of 'Miss Moore': the poetics of purity; Instruments of dissection: syllabic verse in the age of mechanical destruction; 'Just looking': the aesthetics of display; 'A hybrid method of composition': montage and flexible forms of faith; 'Technical mastery' and imperial power: cultivating a poetic wilderness; Conclusion; Bibliography; Index.

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Marianne Moore’s Family Romance

Read an excerpt of this book! Add to Wishlist. USD Sign in to Purchase Instantly. Overview Victoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity.

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Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.


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Table of Contents Contents: Introduction; Modernity, poetry and pragmatism; Critical constructions of 'Miss Moore': the poetics of purity; Instruments of dissection: syllabic verse in the age of mechanical destruction; 'Just looking': the aesthetics of display; 'A hybrid method of composition': montage and flexible forms of faith; 'Technical mastery' and imperial power: cultivating a poetic wilderness; Conclusion; Bibliography; Index. Average Review. Write a Review. Related Searches.


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